第41届上海之春国际音乐节主体演出项目
“拜罗伊特在上海”三年歌剧计划
“Bayreuth in Shanghai” Opera Project 2025-2027
2026年计划
Opera Production 2026
理查德·瓦格纳 三幕歌剧《女武神》
（卡塔琳娜·瓦格纳导演，2026年全新制作世界首演）
Die Walküre - Opera in three acts by Richard Wagner
(A Katharina Wagner’s direction, World Premiere of the 2026 New Production)
时间： 2026年4月24日（周五）18:30
2026年4月26日（周日）14:00
地点： 上海大剧院·大剧场
票价： ￥180、￥280、￥380、￥480、￥680、￥880、￥1080、￥1280
Date & Time: 2026/4/24 Friday 18:30
2026/4/26 Sunday 14:00
Venue: Lyric Theatre, Shanghai Grand Theatre
Tickets: ￥180,￥280,￥380,￥480,￥680,￥880,￥1080,￥1280
作曲/脚本：理查德·瓦格纳
指挥：许忠
导演：卡塔琳娜·瓦格纳
剧本改编：达尼埃尔·韦伯
舞台设计：卡尔海因茨·贝尔
灯光设计：彼得·尤尼斯
服装设计：多萝西娅·尼克罗莱
制作助理：亨德里克·阿恩斯
Composer & Librettist: Richard WAGNER
Conductor: XU Zhong
Director: Katharina WAGNER
Dramaturge: Daniel WEBER
Stage: Karlheinz BEER
Light: Peter YOUNES
Costume: Dorothea NICLOLAI
Production Assistant: Hendrik ARNS
齐格蒙德： 文森特·沃尔夫施泰纳
洪丁： 威廉·施温哈默
沃坦（众神之王）： 沈洋
齐格林德： 玛努埃拉·乌尔
布伦希尔德： 凯瑟琳·福斯特
弗丽卡（沃坦之妻）： 安娜·玛丽亚·基尤里
格希尔德（女武神之一）： 徐晓英
奥特林德（女武神之一）： 周凡
瓦尔特劳特（女武神之一）： 王潇希
施韦特莱特（女武神之一）： 妮娜·埃尔斯特伦
黑尔姆韦格（女武神之一）： 栾艺天
齐格鲁内（女武神之一）： 王碧华
格林格德（女武神之一）： 贾文璇
罗斯维塞（女武神之一）： 曹琳
Siegmund Vincent WOLFSTEINER
Hunding Wilhelm SCHWINGHAMMER
Wotan Shenyang
Sieglinde Manuela UHL
Brünnhilde Catherine FOSTER
Fricka Anna Maria CHIURI
Gerhilde XU Xiaoying
Ortlinde ZHOU Fan
Waltraute WANG Xiaoxi
Schwertleite Nina EHRSTRÖM
Helmwige LUAN Yitian
Siegrune Wang Bihua
Grimgerde JIA Wenxuan
Rossweisse CAO Lin
特邀：拜罗伊特节日管弦乐团演奏家
Guest Artists: Musicians of the Bayreuth Festival Orchestra
演奏：苏州交响乐团
Orchestra : Suzhou Symphony Orchestra
上海大剧院、上海歌剧院联合出品
Co-presented by Shanghai Grand Theatre and Shanghai Opera House
特别鸣谢：许忠原创音乐工作室
Special Thanks: Xu Zhong Music
时长：约300分钟（含两次幕休）
Length: c. 300 minutes (incl. two intervals)
* 剧目信息及时长或有变动，请以现场演出为准。
- All information on programme and duration is subject to change
“拜罗伊特在上海”三年歌剧计划迎来第二部重磅力作——由拜罗伊特音乐节艺术总监卡塔琳娜·瓦格纳执导的理查德·瓦格纳歌剧《女武神》全新版本，即将在上海大剧院举行世界首演。作为瓦格纳四联剧《尼伯龙根的指环》（后简称《指环》）的第二部，《女武神》于1856年完成音乐创作，1870年以独立歌剧形式首演于慕尼黑国家剧院；1876年8月14日，随着“指环”全剧在拜罗伊特节日剧院首次亮相，该剧亦正式跻身歌剧史传世经典之列。
《女武神》的故事脱胎于民间传说《沃尔松格传说》和北欧古代民歌《艾达》：沃尔松格家族的孪生兄妹齐格林德与齐格蒙德自幼离散，历经坎坷意外重逢，情愫渐生坠入爱河。这段冲破世俗与神规的禁忌之恋，彻底触怒众神，诸神降下裁决，决意处死齐格蒙德。沃坦之女、女武神布伦希尔德虽身负神界使命，却甘愿违抗父命，拼死护住齐格林德与她腹中尚未降生的孩子，也正因这份坚守本心的抉择，遭受了众神的惩戒。这是自由意志对神权宿命的沉静抵抗，亦是整部指环史诗承前启后的关键伏笔。
作为瓦格纳“乐剧”理念的巅峰之作，《女武神》以其恢弘严谨的音乐结构、直抵人心的戏剧张力与深邃厚重的人文内核，稳居西方歌剧史里程碑之列。2026年适逢拜罗伊特音乐节创办暨《指环》全剧首演150周年，亦为《女武神》创作问世170周年。为纪念这一特殊年份，这部全新制作在坚守作品核心艺术价值、还原瓦格纳史诗本真的基础上，力图以突破传统的叙事架构与舞台表达，为观众呈现一场兼具经典传承与美学革新的顶级歌剧盛宴。
卡塔琳娜·瓦格纳执导全新版歌剧《女武神》舞美概念图
'Bayreuth in Shanghai" Opera Project 2025-2027 presents its second highly anticipated production: a brand-new staging of Richard Wagner's Die Walküre, directed by Katharina Wagner, Artistic Director of the Bayreuth Festival, set to celebrate its world premiere at the Shanghai Grand Theatre. As the second opera in Wagner's four-opera cycle Der Ring des Nibelungen (hereafter referred to as The Ring), Die Walküre was completed in 1856. It received its premiere as a standalone work at the National Theatre Munich in 1870. On 14 August 1876, with the first complete performance of The Ring at the Bayreuth Festspielhaus, the work secured its place as an enduring classic in the history of opera.
The story of Die Walküre draws from the legendary Völsunga saga and the Old Norse poetic Edda. Separated in childhood, Siegmund and Sieglinde, twin siblings of the Völsung clan, reunite unexpectedly after many hardships and fall deeply in love. This transgressive union incurs the wrath of the gods, who condemn Siegmund to death. Brünnhilde, a Valkyrie and daughter of Wotan, chooses compassion over obedience, defying her father to protect Sieglinde and her unborn child. For her loyalty to her conscience, she faces divine punishment. It is a quiet, defiant assertion of free will against divine fate, and a pivotal chapter in the entire epic of The Ring.
A pinnacle of Wagnerian music drama, Die Walküre stands as a landmark of Western opera, celebrated for its monumental musical architecture, gripping dramatic power and profound humanistic vision. 2026 marks the 150th anniversary of the Bayreuth Festival and the complete premiere of The Ring, as well as the 170th anniversary of the completion of Die Walküre. To commemorate this momentous occasion, this brand-new production remains faithful to the work’s core artistic values and Wagner’s original epic vision, while striving to deliver a world-class operatic spectacle that blends classic heritage with aesthetic innovation through a groundbreaking narrative framework and stage presentation.
卡塔琳娜·瓦格纳执导全新版歌剧《女武神》舞美概念图
关于
About
拜罗伊特音乐节
拜罗伊特音乐节在古典音乐和歌剧领域具有极其重要的地位，与理查德·瓦格纳的名字紧密相连。它由理查德·瓦格纳于 1876 年创立，旨在一座专门建造的节日大厅里演出他自己的作品。这是一个具有革命性的想法，因为在此之前，几乎没有专门为演出某位作曲家的作品而设计的场馆。因此，该音乐节是歌剧和音乐戏剧史上的一个里程碑。
音乐节是德国和国际文化史的核心组成部分。它不仅塑造了瓦格纳的音乐，也对德国文化产生了广泛的影响。拜罗伊特已成为研究瓦格纳作品及其复杂历史的象征，包括对瓦格纳备受争议的观点的讨论。拜罗伊特音乐节以其对瓦格纳歌剧的独特演绎而闻名，这些演绎往往包含创新的导演理念和舞台设计。音乐节有着在兼顾音乐和戏剧维度的背景下呈现瓦格纳作品的传统。这有助于将瓦格纳的音乐戏剧作为一种鲜活的艺术形式加以保存和发展。由瓦格纳亲自设计的拜罗伊特节日剧院以其卓越的音响效果而闻名。建筑的设计是专门为了适应瓦格纳音乐的要求，从而带来了独特的听觉体验。这些声学特性使节日剧院成为歌剧演出的最佳场馆之一。
拜罗伊特音乐节每年吸引着来自世界各地的数千名游客。它是国际文化日程中的一项重大活动，为艺术家、指挥家和导演探索瓦格纳的作品提供了一个平台。该音乐节促进了不同国家和文化之间的文化交流与合作。多年来，拜罗伊特音乐节不断提供新的艺术动力。导演和艺术家们有自由重新诠释瓦格纳的作品并采用创新的方法。这使得音乐节不仅保留了传统，还将当代的主题和视角融入到演出中。音乐节在音乐教育和研究方面也发挥着重要作用。它提供了许多与瓦格纳作品及其对音乐史的影响相关的活动、讲座和讨论。这促进了对从 19 世纪至今的音乐和文化的理解与讨论。
拜罗伊特音乐节不仅是一个艺术之地，也是一个社会讨论的场所。对瓦格纳备受争议的观点及其对当今社会的影响的审视是音乐节的重要组成部分。这使得人们能够对艺术在社会中的作用以及艺术家的责任进行批判性思考。
The Bayreuth Festival
The Bayreuth Festival is of outstanding importance in the world of classical music and opera and is closely associated with the name of Richard Wagner. It was founded in 1876 by Richard Wagner to perform his own works in a specially built festival hall. This was a revolutionary idea, as there had previously been hardly any venues designed exclusively for the performance of a particular composer. The festival is therefore a milestone in the history of opera and music theater.
The festival is a central component of German and international cultural history. They have shaped not only Wagner's music, but also German culture in general. Bayreuth has become a symbol for the examination of Wagner's work and its complex history, including the discussion of Wagner's controversial views. The Bayreuth Festival is known for its special productions of Wagner's operas, which often include innovative directorial concepts and stage designs. The Festival has a tradition of presenting Wagner's works in a context that takes into account both the musical and theatrical dimensions. This has helped to preserve and develop Wagner's music dramas as a living art form. The Festspielhaus in Bayreuth, which was designed by Wagner himself, is renowned for its exceptional acoustics. The architecture of the building was specially adapted to the requirements of Wagner's music, resulting in a unique sound experience. These acoustic properties have made the Festspielhaus one of the best venues for opera performances.
The Bayreuth Festival attracts thousands of visitors from all over the world every year. It is a major event in the international cultural calendar and provides a platform for artists, conductors and directors to explore Wagner's work. The festival promotes cultural exchange and cooperation between different countries and cultures. Over the years, the Bayreuth Festival has repeatedly provided new artistic impetus. Directors and artists have the freedom to reinterpret Wagner's works and pursue innovative approaches. This has contributed to the fact that the Festival not only preserves tradition, but also incorporates contemporary themes and perspectives into the performances. The festival also plays an important role in musical education and research. They offer numerous events, lectures and discussions dealing with Wagner's work and its influence on music history. This promotes understanding and discussion of music and culture from the 19th century to the present day.
The Bayreuth Festival is not only a place of art, but also a space for social discussions. The examination of Wagner's controversial views and their impact on today's society is an important part of the Festival. This enables critical reflection on the role of art in society and the responsibility of artists.
